• Professional 16-Channel Sound Mixing Console Cms-1600-3 Audio Mixer with Sound Mixer Audio 99 DSP Effects
  • Professional 16-Channel Sound Mixing Console Cms-1600-3 Audio Mixer with Sound Mixer Audio 99 DSP Effects
  • Professional 16-Channel Sound Mixing Console Cms-1600-3 Audio Mixer with Sound Mixer Audio 99 DSP Effects
  • Professional 16-Channel Sound Mixing Console Cms-1600-3 Audio Mixer with Sound Mixer Audio 99 DSP Effects
  • Professional 16-Channel Sound Mixing Console Cms-1600-3 Audio Mixer with Sound Mixer Audio 99 DSP Effects
  • Professional 16-Channel Sound Mixing Console Cms-1600-3 Audio Mixer with Sound Mixer Audio 99 DSP Effects

Professional 16-Channel Sound Mixing Console Cms-1600-3 Audio Mixer with Sound Mixer Audio 99 DSP Effects

Noise: <95dB
Hi-Fi: Hi-Fi
Activity: Passive
Operation Mode: Wire / Remote Control
Speaker System: Optional Combination
Speaker Material: Metal
Customization:
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Overview

Basic Info.

Model NO.
CMS1600-3
Application
Commercial, Home
Certification
CE, RoHS
Monitor
LCD Screen
THD
<0.005%
Group
1
External Expansion Function
MP3 + SD Card System
Aux
-105dB
Frequency Range (Hz)
20Hz~20kHz
Phantom Power
+ 48V
Microphone Line Channel
16CH
Operate Mode
Manual Adjust
Dimension (L x W x H)
45*49*13cm
Gain Control
Mono -60dB ~ -40dB
Main
Stereo, Mono
Power
100W
Transport Package
Carton Box / Flight Case
Specification
CSM1600-3 audio mixer
Trademark
CSL
Origin
Guangdong, China
Production Capacity
5000PCS/Month

Product Description

Product Description
Professional 16-Channel Sound Mixing Console Cms-1600-3 Audio Mixer with Sound Mixer Audio 99 DSP Effects
Professional 16-Channel Sound Mixing Console Cms-1600-3 Audio Mixer with Sound Mixer Audio 99 DSP Effects
Professional 16-Channel Sound Mixing Console Cms-1600-3 Audio Mixer with Sound Mixer Audio 99 DSP Effects
Professional 16-Channel Sound Mixing Console Cms-1600-3 Audio Mixer with Sound Mixer Audio 99 DSP Effects
Professional 16-Channel Sound Mixing Console Cms-1600-3 Audio Mixer with Sound Mixer Audio 99 DSP Effects
Professional 16-Channel Sound Mixing Console Cms-1600-3 Audio Mixer with Sound Mixer Audio 99 DSP Effects
Professional 16-Channel Sound Mixing Console Cms-1600-3 Audio Mixer with Sound Mixer Audio 99 DSP Effects
Professional 16-Channel Sound Mixing Console Cms-1600-3 Audio Mixer with Sound Mixer Audio 99 DSP Effects
Professional 16-Channel Sound Mixing Console Cms-1600-3 Audio Mixer with Sound Mixer Audio 99 DSP Effects
Application
Professional 16-Channel Sound Mixing Console Cms-1600-3 Audio Mixer with Sound Mixer Audio 99 DSP Effects
Real Shot Pictures
Professional 16-Channel Sound Mixing Console Cms-1600-3 Audio Mixer with Sound Mixer Audio 99 DSP Effects
Specification
Professional Mixing Console CMS 1000
Description:
MIC/LINE Input Channels
The XLR microphone input is equipped with an extremely high quality, ultra-low noise, discrete preamp.
The +48V phantom power for condenser microphones can be switched in groups of six.
The Line Input and Channel Insert are implemented as jack sockets.
The Gain can be controlled in the range 0-60 dB.
The switchable Lo Cut filter (80Hz, 18dB/oct.) serves to eliminate low-frequency noise. A very typical feature is the
asymmetrical Voicing Filter by means of which, if desired, the voice can be powerfully emphasized in the mix.
Optimized for ease-of-use, the 3-band semi-parametric equalizer makes it possible even for unpracticed users to perform the
requisite corrections swiftly and intuitively.
With their extended buss structures, the CMS3 mixers offer very flexible configuration options. In all, 6 AUX busses are available
in each case:
2 (FX) are assiged to the two effects devices;
2 (AUX) can be configured either as monitor or effects sends by means of a switch in the Main section;
2 (MON) are designed as monitor sends, each being equipped with a sweepable anti-feedback filter in the Master section.
MUTE and PFL switches, each with its own LED, make it possible to mute each input channel individually and/or listen to its
pre-fader signal.
Each channel offers a Signal Present and Peak LED for level control.
The channel faders are dust-protected and offer not only excellent crosstalk attenuation but also a practice-optimized control
characteristic.
All potentiometers and faders are high-quality components from ALPS.
Stereo MIC/LINE Input Channels
The stereo input channels are equipped in much the same way, but optimized, naturally, to carry stereo signals.
Two of the four stereo inputs of each model are additionally equipped with cinch (RCA) sockets switched in parallel for CD or MP3
players.
The two other stereo inputs receive in addition the four channels of the digital audio interface USB 1-2 and USB 3-4
Separate Gain controls are provided for the Stereo Line and Mic inputs to permit them to be used in parallel if desired.
Three-band tone controls are provided, and a Balance control replaces the PAN control found in the mono channel strips.
MASTER
In the Master Section, too, the CMS3 mixers are lavishly equipped.
The 11-band stereo equalizer can be routed to the Master channels or else to either or both of the Monitor Sends according to
choice.
The FX1+2 Returns as well as the AUX1+2 and MON1+2 Sends are on faders just like the Master L/R signal, which makes for
comfortable and intuitive operation.
The Master B signal is available pre or post MASTER L/R fader and can be mono-summed if desired. The Master signal is also
available on the REC Send cinch (RCA) output with level control.
The level meters of the CMS3 comprise two LED chains of 12 LEDs each. The display range covers 40 dB; what is shown is the level
in dBu at the master outputs. When the PFL switch is activated, the left-hand LED chain shows the internal level of the master
buss in dBu.
The Standby switch mutes all channels e.g. during pauses, with only the 2TRACK-to-Master input remaining active for the playback
of interval music.
A 4-pin XLR socket is provided for the connection of a standard 12V/5W gooseneck lamp.
DIGITAL USB 2.0 AUDIO INTERFACE
The USB 2.0 port serves as a digital audio interface between the CMS3 and a PC or Mac. Four channels can be transmitted in either
direction simultaneously. This interface can therefore be used either for the input of audio signals (e.g. for playback or
interval music) or else for live- or studio-recording applications. It is configured by selecting the relevant setting in the
menu.
For the use of the CMS3 with a PC or Mac, a free Cubase LE license as well as the requisite USB drivers are included
free-of-charge on the supplied DVD.
PC MIDI Interface
The CMS3 also offers a fully-featured PC MIDI interface.
The MIDI input also supports the remote switching of both internal effects units using a master keyboard or MIDI footswitch.

Short Description
CMS 1000-3, 100-240V, 6 Mic/Line + 4 Mic/Stereo Line Channels, 6 x AUX, Dual 24 bit Stereo Effects, USB-Audio Interface
Power Consumption (without lamp / with lamp):45 W / 50 W

Dimensions (W x H x D, without lid), mm
510.5 x 155 x 498.5
Rack-mount: 483.0 x 135.0 x 443.7
Weight, without lid 9.5 kg (10.5 kg incl. RMK)
 
 
 
 
Packing & Delivery
Professional 16-Channel Sound Mixing Console Cms-1600-3 Audio Mixer with Sound Mixer Audio 99 DSP Effects
 
To better ensure the safety of your goods, professional, environmentally friendly, convenient and efficient packaging services will be provided.
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FAQ
Q1. CAN I HAVE A SAMPLE ORDER?
A:YES. WE WELCOME SAMPLE ORDER TO TEST AND CHECK QUALITY. MIXED SAMPLES ARE ACCEPTABLE
Q2. WHAT ABOUT THE LEAD TIME?
A:SAMPLE NEEDS 1-2 DAYS. MASS PRODUCTION TIME NEEDS 1 WEEKS FOR ORDER QUANTITY MORE THAN 2000 SETS
Q3. WHAT IS YOUR MOQ?
A: NO MOQ 1PC FOR SALE
Q4. HOW DO YOU SHIP THE GOODS AND HOW LONG DOES IT TAKE TO ARRIVE
A: SMALL ORDER WE USUALLY SHIP BY DHL. UPS. FEDEX OR TNT. IT USUALLY TAKES 4-7 DAYS TO ARRIVE, AIRLINEAND SEA SHIPPING ALSOOPTIONAL.
Q5: WHEN CAN YOU SHIP IT WHEN I PLACE ORDER
A: USUALLYIT NEEDS 2-5 DAYS FOR PRODUCT IN STOCK

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Manufacturer/Factory
Export Year
2016-05-11
Terms of Payment
T/T, PayPal, Western Union, Small-amount payment, Money Gram